Lia Wei, lecturer in Chinese art history, Whatsapp Mobile Number List gave us a presentation questioning the relationship of calligraphy to space, environment and matter, guided by three questions. “How can calligraphy be inscribed in space Whatsapp Mobile Number List and what is its relation to matter? How do copying techniques help spread calligraphy in space and time? What reunions can epigraphies in mountainous environments, Whatsapp Mobile Number List contemporary ink experiments and the practice of stamping make it possible to envisage between calligraphy and other fields of material culture? " From Qin Whatsapp Mobile Number List Shi Huangdi minister of the first emperor of China, indeed advocated the standardization of writing, one of the measures which should make it possible to create a certain unity in Whatsapp Mobile Number List a recently unified territory and which led to the creation of two calligraphic styles [1]. We then see a large number of inscribed stelae appear which establish the imperial power Whatsapp Mobile Number List by crisscrossing the empire. The Northern Wei dyn nomads from Northern China who undertook its unification, felt an increasingly pressing need to have recourse Whatsapp Mobile Number List to Chinese institutions; for them, writing took part in the effort of cultural legitimation which was essential to them because of their barbarian origins [2] . Thus, to be part of the Whatsapp Mobile Number List landscape was first an imperial prerogative; others, individuals, religious, literate, did not take hold of it until later. Ms. Wei's intervention focused mainly on the period of medieval Whatsapp Mobile Number List China, that is, from the end of the Han [206 BCE-220 CE] until the beginning of the Tang and